Cynics beware: The teen-oriented romantic drama “Everything, Everything” (Warner Bros.) bears more than a little resemblance to one of those fairy tales involving a princess locked up in a castle who needs a handsome prince to rescue her.
Rearranging some of the traditional elements of the Arthur legend — which may or may not be rooted in actual history — director and co-writer Guy Ritchie comes up with a sort of “Prince and the Pauper” version of events.
“The Dinner” (The Orchard), a trenchant morality tale about the nature of evil and mankind’s savage underpinnings, turns out to be as infuriatingly dense and labyrinthine as Dutch author Herman Koch’s 2009 novel.
Sound fundamental values underlie the spirited sci-fi follow-up “Guardians of the Galaxy Vol. 2” (Disney). But thematic elements demanding discernment, together with some less than family-friendly dialogue, make this return to the stars best for grown-ups.
Big Brother is watching you, and he has nothing to do with the government. Such, at least in part, is the message of the confused cautionary tale “The Circle” (STX).
The sci-fi-themed horror tale “Phoenix Forgotten” (Cinelou) includes little objectionable material, other than some salty language in the dialogue.
The latest entry in the Disneynature series — released, like several of its predecessors, in conjunction with the April 22 observance of Earth Day — “Born in China,” directed and co-written by Lu Chuan, rests on the tried-and-true premise that critters in the wild act just like us when no one is (supposedly) watching.
The relatively little-known genocide of the Armenian people by the Ottoman Turks 100 years ago is brought into sharp focus by “The Promise” (Open Road).
The few adult viewers for whom it’s suitable might be tempted to nickname the feverish domestic drama “Unforgettable” (Warner Bros.) “Wifie Dearest.”
Endearing and well-acted, director Marc Webb’s drama “Gifted” (Fox Searchlight) might have been a family-friendly movie.
After raising more than $3,600 through the crowdfunding website Indiegogo, Preston Yarger and Nicolas Alayo, filmmakers who are lifelong “Star Wars” fans, spent two days in mid-February filming in Humboldt Redwoods State Park in Northern California, where scenes from “Return of the Jedi” had been shot more than three decades ago.
Grown viewers willing to kick reality to the curb will have fun with the preposterous but lively auto-themed action adventure “The Fate of the Furious” (Universal).
Dicey moral values and a high mayhem quotient, however, mean this seventh sequel to 2001’s “The Fast and the Furious” is not a film for impressionable youngsters.