“Sing” (Universal) is a generally amiable but flawed musical cartoon, populated mostly by animals. While the essential values of this show-biz fable are respectable enough, writer-director Garth Jennings incorporates elements into his film that make it unsuitable for youngsters.
“Collateral Beauty” (Warner Bros.) is a strange, pretentious drama about overcoming grief. While that’s obviously a subject about which a good film — perhaps many of them — might be made, the treatment of it in director David Frankel’s quirky mess of a movie is at once too bizarre and too pat to yield any insights.
With “Rogue One: A Star Wars Story,” last year’s promising reignition of the iconic franchise, “The Force Awakens,” gains a worthy — and equally family-friendly — companion.
“The Bounce Back” (Viva) is a pleasantly compact and diverting romance in which everyone goes out of their way to be both polite and well-attired.
Steven Fine, a professor of Jewish history at Yeshiva University in New York City, explores biblical, cultural and religious history through the lens of what he rightly calls in his conclusion “the oldest religious symbol in all of Western culture.”
In two long interviews with Jesuit publications, director Martin Scorsese described his new film “Silence” as a major stage in his pilgrimage of faith, a pilgrimage that included flunking out of the minor seminary, investigating other religions and recognizing that the Catholic Church was his home.
Director Martin Scorsese described his new film “Silence” as a major stage in his pilgrimage of faith, a pilgrimage that included flunking out of the minor seminary, investigating other religions and recognizing that the Catholic Church was his home.
Music can be that gentle lure that helps welcome and embrace those who have become distant from the church, said one liturgy and music expert.
WASHINGTON (CNS) — The following books are suitable for Christmas giving: “All Shall Be Well: A Spiritual Journal for Hope and Encouragement” by Hilda St. Clair. Paraclete Press (Brewster, Massachusetts, 2016). 120 pp., $15.99. Teenage readers and adults alike will find calm, inspired creativity and peaceful contemplation with this beautifully illustrated journal. Sixty quotes illuminated […]
Evangelical Christian faith hovers in the background of the holiday-themed drama “Believe” (Freestyle).
Dignity and understatement are usually noble qualities in a film. “Loving” (Focus), the fact-based story behind a landmark 1967 Supreme Court decision, is so restrained and decorous, however, that it nearly obscures the historical significance of the events it recounts.
Somewhere in the planning stages of “Incarnate” (BH Tilt), someone must have thought it would be a good idea to combine elements of Christopher Nolan’s 2010 tour de force “Inception” with tropes that have been familiar to moviegoers at least since Linda Blair’s head went spinning round in “The Exorcist” way back in 1973.